Music redesign for a scene from Atlantis (Disney, 2001)

Orchestral composition made to underline the scene’s mystery and grandiose setting.

Music redesign for opening credits of Six Feet Under (2001)

Composition for small ensemble (drums, bass, clarinet, violin, cello and piano).

Genderf*cker - Espace Libre (2022)

Heavily treated orchestral composition with added synthesizer programmation to make it transform into something new and unexpected.

Richard III - Conservatoire d’arts dramatiques de Montréal (2022)

Generative ambient composition made to last for whole theater piece (approx. 1h30). Synthesizers are programmed to always be different while staying in a general fixed direction.